Stefan came up with this idea of a custom U8. He loves purple heart and the semi hollowed feel of the AU8. Why should we not combine this. It has a black korina body, 3-piece korina/purple heart/korina fretboard and the first prototype of our mellow pickups which is splittable as a single coil. We also
We had this idea of a bicolored T8 after finishing the first prototype. It looks amazing with the seafoam green maple top on a mahogany body. Fretboard is ebony. Photos by Thomas Buchta
This T8 is one of the lightest instruments we ever built. It is all maple with a swamp ash body. This was the first time we used our vintage pickups and it really sound JBass like. Photos by Thomas Buchta
This cherry red Touch Guitars U8 Deluxe has a korina body, 3-piece korina/mahogany/korina neck and an ebony fretboard. A real beauty. Photos by Andreas Huthansl
This custom U8 deluxe is all mahogany with a semi hollowed body and ebony fretboard. One of the rare lefty models we did. Photos by Andreas Huthansl
This beautiful U8 Deluxe has a Rosewood fretboard, swamp ash body and maple neck. Photos by Andreas Huthansl
U10 in Cherry Red, All mahogany ebony fretboard and custom pickup. Photos by Andreas Huthansl
Stefan did a small trip after NAMM and took his T8 Greyburst to Death Valley. 🙂 Photos by Angela Fischer This one is all maple with a swamp ash body.
Slowly Back To Normality by Cédric Theys Quote from Cédric Theys: “” The past couple of years have been busy in many ways and certainly not inactive. 2018 is most likely going to have a flurry of new music that has been building for the past few years. Slowly Back To Normality is the first
Check out the latest videos Markus Reuter and Stefan Huth did. Markus explains the History and first steps in creating these awesome instruments and Stefan did some sound demos. The Channel will also be expanded regularly. Please subscribe if you are interested. https://www.youtube.com/user/touchguitars
THE|SPUR. – impressive, progressive, technically demanding music with electrifying and passionate performance. The band establishes ties between classic, melodic progressive rock music biased towards heavy metal rudiments and modern, song-oriented, technically complex approaches. Superior melodic sections and almost frantic instrumental outbreaks don’t interfere with the pure structures and diverse harmonies. When Stephan Schroth (drums) brought
LORDS by ISAAC VACUUM In 2016 the band around Touch Guitar player Stefan Huth named ISAAC VACUUM , managed the balancing act between energetic live concerts (with established acts like “the Intersphere”, “The Hirsch Effekt” and “Port Noir” amongst others) and recording their first full length album on their own stream. After the self-titled EP
The Stone House (24bit-88.2kHz) by Wingfield Reuter Stavi Sirkis In early 2016 Markus Reuter was invited to a session at casa Murada Studio in Spain. One year later “THE STONEHOUSE” is finally released. The album features two of today’s most original, ingenious and decidedly “risk taking” electric guitar proponents, easily among the instrument’s most vital
FACE is the latest release from drummer and percussionist Pat Mastelotto (King Crimson, Stick Men, Mr. Mister) and touch guitarist Markus Reuter (Stick Men, Crimson ProjeKct, Tuner). Buy it here: Housed in an provocatively surreal cover featuring artwork by Tool’s Adam Jones, FACE consists of just one 35 minute-long track FACE presents a
Prog Noir by Stick Men With riveting performances by the modern prog-rock legends Stick Men – Tony Levin, Markus Reuter and Pat Mastelotto – , “Prog Noir” is ambitious, achieving and immediately essential. Cinematic themes, towering grooves and intricate arrangements are all on tap, and shower down in abundance. Proving conclusively that the whole is
GL5 by glistening leotard released April 16, 2016 All songs written and performed by glistening leotard in 2015 jessica näser: vocals andrej henze: guitar ralf gemein: guitar chris herb: touch guitar arthur krol: drums guest performances: violin on restless: leonie ziegner saxophone on green: klaus theißen additional touch guitar on skittish: matt tate synthesizer on
This album is the companion to DiM13NSiON’s (pronounced Dimension Thirteen) Imagur, their first album. Both released in the same year, the duo planned those 2 albums together. They are linked in many ways but are mirrors to each other, Imagur and Rugami. Rugami by DiM13NSiON Where Imagur was dark and contemplating human machinery and our
Technically sophisticated progressive-rock meets a heavy, sludgy and organic sound, which is – due to a focus on catchy harmony-vocals – still plausible despite dark complexity.
New model AU8 Deluxe for public release in 2015. Top of the line hand-made hollow-body touch guitar with magnetic and piezo pickups and custom electronics, bridge and tailpiece. Stay tuned for details and ordering info. Local Austrian woods used for the instrument pictured: walnut (body), spruce (arched top), maple (3-piece neck), plumwood (fretboard and headstock
releases 01 July 2015 | Live at Billboard, Tokyo, 10 April 2015, Show 1 & 2
releases 01 April 2015 | Blast Unicorn is the joint project of touch guitarist Alexander Paul Dowerk and electronic musician Tobias Reber.
released 09 November 2014 | a collection of recordings from their We Will Tongue You Tour 2011
released 01 April 2015 | A themed compilation of tracks culled from the wider iapetus portfolio. All titles prominently feature Touch Guitars® instruments: s283314163.online.de
released 01 February 2015 | ‘Oktan’ marks the second solo release by Chris Herb, with a deeper exploration in working with a physical instrument–an 8 string touch guitar–in creating essentially electronic dance music.